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Series 1, No. 3, 1918, is from the Milwaukee Art Museum Once again the Phillips Collection in Washington, DC, has put on a splendid exhibition of an early modern master, Georgia O'Keeffe: Abstraction. Although I've seen O'Keeffe exhibitions in the past, there is always something new to be seen in her work. Several compelling images that I had not seen before , especially from the Whitney Museum, a co-organizer of the exhibition, and the Milwaukee Art Museum, are in this show. O'Keeffe's abstract imagery is inspired by diverse subjects, more often natural than manmade--flowers, bones, mountains, aerial views, and the diverse places she lived, Wisconsin, Lake George, NY and New Mexico. Less well known is the fact that she lived in Charlottesville, Va., and some of her colors could easily be reflections of sunsets over the Blue Ridge Mountains. Even though a group of abstractions is inspired by music, one of the curators pointed out that Music, Pink and Blue, No. 2 , r

Before many monuments arrived on the national Mall in Washington, DC, the Adams Memorial in Rock Creek Cemetery was a major tourist attraction in the capital city. Because of its fame, I decided to visit it. I compared this monument to a tomb by Lorado Taft in Chicago, because I have always been quite moved by Taft's Solitude of the Soul at the Art Institute of Chicago. The Adams Memorial is a seated bronze figure with an androgynous face and deep, textured drapery. Augustus Saint-Gaudens completed it in 1891. Its green patina and mottled effect beautifully contrast with the speckled pink granite base and block designed by architect Sanford White. By comparison, Lorado Taft's sculpture, erected in 1909, is starker; it takes the memorial concept further into 20th century abstraction. Henry Adams, a 19th century historian and novelist, commissioned the Adams Memorial after his wife, Clover Hooper Adams, committed suicide in 1885. An amateur photographer of some note, Clover