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Showing posts with the label Landscape Painting

Into the Fields With Van Gogh

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Vincent Van Gogh,   Green Wheat Fields, Auvers, 1890 at the National Gallery of Art, a recent gift from the Collection of Mr & Mrs Paul Mellon Vincent Van Gogh's Green Wheat Fields, Auvers came into Washington's National Gallery of Art on December 20, 2013.  It's a windswept scene that sucks us in with intensity and urgency.     Green Wheat Fields, Auvers is among the 70 or so paintings he did during the two months of 1890 when he lived in Auvers-sur-Oise.  Experts believe he painted it in June, 1890, the month before he died. Fortunately the new painting entered the museum at the same time Washington's Phillips Collection is hosting an exhibition, Van Gogh Repetitions, until February 2, 2014. The exhibition of 14 paintings examines why the artist repeated compositions in the same format with different colors and very minor design changes. It features several portraits, The Bedroom at Arles and two magnificent Van Goghs owned by the Phillips Coll...

Monet's Paintings of Snow

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Claude Monet, The Road to Giverny in Winter , sold last year, but hadn't been seen in public since 1930 When Monet's The Road to Giverny in Winter came up at auction about a year ago, it was the first time this idyllic painting had been on the art market since 1924.  The painting leaves me with a magical impression, in the way Monet painted a pink sunset with warm highlights poking through the winter chill.  Leave it Monet to see the beautiful warmth in the coldness of winter. So I wanted to explore his other paintings of snow and see how he developed the theme. At one point in the late 1870s, Monet's colleague Manet tried to paint a scene of snow, but gave up, exclaiming that no one could do it like Monet. When looking at reproductions online, we get a great variety of versions of the colors in the various photos of the same painting.  No reproduction can substitute for seeing the actual painting.  Monet did about 140 paintings of snow, but they represent just a...

Dreaming of Arcadia in the Modern World

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One of the first 'pastoral ' paintings(not in the exhibition) was The Pastoral Concert, 1509, by Titian and/or  Giorgione, originator of  the pastoral, where landscape is on par with figures. Shepherds and musicians are frequent in this theme. Good things always end, including summer and a chance to see how the greatest modern artists painted themes of leisure as Arcadian Visions: Gauguin, Cezanne, Matisse , ends Labor Day. The exhibition highlights 3 large paintings:  Gauguin's frieze-like Where do We Come From?...,  1898, Cézanne's  Large Bathers , 1898-1905 and Matisse's  Bathers by a River , 1907-17. Each painting was crucial to the goals of the artists, and crucial to the transitioning from the art and life of the past into the 20th century. These  modernist visions actually are part of a much older theme descended from Greece and written about in Virgil's  Eclogues.  Nineteenth-century masters were very familiar with this tradition from...

Why the Hudson River School Still Amazes

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Thomas Cole, Sun set on the Arno, 1837, is at the Museum of the Shenandoah Valley until January 23. The exhibition, organized by the Westmoreland Museum of American Art, is from a private collection. Whispy clouds hover above, almost like angels. Forty paintings from the Hudson River School of painting glow in the Shenandoah Valley, in the Museum of the Shenandoah Valley, Winchester, VA. Certainly this location has some resemblance to the Hudson River Valley and these paintings would naturally resonate in the community. Just as the 19th century artists centered mainly in New York and New England hoped to capture and hold onto the natural beauty of their unspoiled nature, the Shenandoah Valley still offers a resting place from too much human development. Entitled "Different Views of Hudson River Painting," the paintings will be in Winchester until January 23. Jasper Francis Cropsey, The Narrows of Lake George, in the Hudson River Museum. A smaller, view of Lake George wi...

Torrents of Rain and Gusts of Wind

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J ean-Francois Millet, The Gust of Wind, 1871-73, National Museum of Wa les It's disappointing that the Corcoran exhibition, Fro m Turner to Cezanne , had to be taken down early as a precaution over environmental concerns......I was counting on going Friday, April 9, three days after it abruptly closed. What am I missing? A spectacular collection from the National Gallery of Wales, little-known paintings of well-known artists that are seldom seen in the US..................... Torrents of Rain and Gusts of Wind..... Vincent Van Gogh, Rain, Auvers, 1890, from the National Museum of Wales Vincent Van Gogh's suns, stars and flowers from sunny Provence express the intensity he experienced while living there. But in May, 1890, he moved north of Paris to Auvers-sur-Oise and painted Rain, Auvers in July. Van Gogh used such a heavy impasto of paint that this painting conveys a heavy impact of rain. Van Gogh had an uncommon ability to combine actual texture of the paint itself w...