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Henry Ossawa Tanner,   The Raising of Lazarus , Musee d'Orsay, Paris, 1896 Henry Ossawa Tanner, the most important African-American painter born in the 19th century, should probably be considered America's greatest religious painter, too.  He came into the world in when our country was on the brink of its Civil War, in Pittsburgh, 1859.  Though his paintings are profound, he normally doesn't get as much recognition as he deserves. Religious painting has never been a significant genre in the United States. Mainly, it has been used for book illustration and in churches with stained glass windows. Of course, Europe had its own rich tradition of paintings for Catholic Churches and even in the Protestant Netherlands, Rembrandt made paintings and prints of biblical subjects for their religious significance. Tanner reinvented religious painting with highly original interpretations.  His father was a minister in the AME Church who ultimately became the bishop of Philad...

Sam Gilliam, The Petition, 1990, mixed media Smithsonian American Art Museum's exhibition, African American Art: Harlem Renaissance, the Civil Rights Era and Beyond gives a broad overview of 43 artists whose work spanned 8 decades of the 20th century.  Over 40 photographs, as well as paintings, give a provocative picture of urban and rural life during the Depression, the age of segregation and the Civil Rights and later.  Although there is some overlap with other 20th century art movements, the exhibition is mainly art focused on African-Americans and their lives.  Both abstract and figural paintings are included, but also sculpture by Richard Hunt, Sam Gilliam, an important recent figure in the art scene of Washington, DC.   The artists come from the South and North, with a large number from urban areas of Detroit, New York, St. Louis, Baltimore and Washington, DC. Detroit artist Tony Gleaton recorded his travels to Nicaraguain in Family of the Sea, 1988, ...

In My Mother's Home There are Many Mansions, 1994, by Kerry Jame s Marshall , Denver Museum of Art Kerry James Marshall, a preeminent artist of today, presents a strong voice of an identity for a middle-aged African American who has witnessed changes in his lifetime. H e addresses issues of race and culture in a Po st-Modern style that recognizes past, current and other issues that his generation has faced. He was born in Birmingham, Alabama in 1955, but moved to the Watts neighborhood of Los Angeles in 1963, a fact not lost on the subjects of his paintings. Marshall paints large acrylic canvas and plexi-glass images with wit and irony. Sometimes he's influenced by comic books and in other ways he commands the authority of histo rical paintings, using a structure he says is inspired by artists like Gericault. In his Post-Modern style of art, it's easy to see the inspiration of many twentieth century movements, such as the collage effects of Cubism and splashes like an...