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Showing posts with the label Collage

East Meets West in Mandala Art

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Temporary floor mandala, flashed by light onto the floor of the Smithsonian's Sackler Gallery of Asian Art Mandalas, an important tradition in India, Nepal and Tibet have spread well into the West, or as some think, have always been in the West.  The exhibition,  Yoga: The Art of Transformation  at the Smithsonian's Sackler Gallery of Art, takes us into art and history surrounding the physical, spiritual and spiritual exercise of yoga.  It's the first exhibition of its kind. This is the last weekend of the show, featuring works of art in Hindu, Jain and Buddhist practice.   Yoga hold some keys to mental and physical healing. We're led into yoga's 3,000-year history by a series of light patterns flashed on the floor--patterns that are mandalas and have lotus patterns. (Lotus is also the name of a yoga pose.) After this weekend, they'll be gone with the show, but that's the spirit of mandalas, at least in the Tibetan tradition. Light Pattern on the floor of th...

The Words of Art and the Art of the Word

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   Semen Fridliand, Die kaüfliche Presse (The Venal Press ) 1929 halftone reproduction,  6 1/4 x 8 1/4 in. (16 x 21 cm)   National Gallery of Art Library, David K.E. Bruce Fund   At least four exhibitions on the Mall, at the National Gallery of Art and Hirshhorn Museum, take a look at printed word in painting and other art forms of the past century.  Chronologically, these exhibits begin with the avant-garde artists of circa 1910 at the National Gallery of Art's "Shock of the News" exhibition.  They end with today's leading provocateur-artist, Ai Weiwei of China, at the Smithsonian's contemporary art museum, the Hirshhorn.   So we search for the meaning of the word in art.    Jean-Léon Gérôme, O Pti Cien, 1902, is an academic style In 1902, Jean-Léon Gérôme, a leading academic artist of the day, painted O PTI CIEN, a puppy wearing a monacle. The letters suggest a reading of "au petit chien" ("at the little dog"), which would...