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I have often thought the Mannerist style of late Renaissance art had a lot in common with the Surrealism of the 20th century. After viewing the National Gallery's Arcimboldo exhibition, this analogy seems stronger. Arcimboldo was a Mannerist from Milan who worked for the Court of Maximilian II in Vienna, and for his son, Rudolf II, in Vienna and in Prague. It is interesting that his reputation went down for a number of years until the Surrealists of the 20th Century revived the interest in his art. "Librarian," 1566, could easily be mistaken for an early 20th century Surrealist painting, at first glance. Arcimboldo painted various professions. "The Jurist," also on display at the National Gallery, is a scathing portrayal of the legal profession. Mannerism came after the High Renaissance style of Leonardo, Michelangelo and Raphael, which had lasted only about 20 years. The idealism of their style seemed to perish as Europe descended into the wars and devastat

In My Mother's Home There are Many Mansions, 1994, by Kerry Jame s Marshall , Denver Museum of Art Kerry James Marshall, a preeminent artist of today, presents a strong voice of an identity for a middle-aged African American who has witnessed changes in his lifetime. H e addresses issues of race and culture in a Po st-Modern style that recognizes past, current and other issues that his generation has faced. He was born in Birmingham, Alabama in 1955, but moved to the Watts neighborhood of Los Angeles in 1963, a fact not lost on the subjects of his paintings. Marshall paints large acrylic canvas and plexi-glass images with wit and irony. Sometimes he's influenced by comic books and in other ways he commands the authority of histo rical paintings, using a structure he says is inspired by artists like Gericault. In his Post-Modern style of art, it's easy to see the inspiration of many twentieth century movements, such as the collage effects of Cubism and splashes like an