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"Vertumnus," 1590, is a portrait of a Habsburg ruler, the Holy Roman Emperor Rudolf II. Arcimboldo betrays a knowledge of plants from the New World: corn and pumpkins. This painting may suggest Rudolf II's worldliness and the bounty of his reign. In the tradition of L eonardo da Vinci and Albrecht Durer, 16th century painter Giuseppe Arcimboldo used his artistic skills to record his knowledge of the animals, plants, birds and fish, and he combined the seemingly opposite disciplines of art and science in a unexp ected way. The National Gallery exhibition of his paintings is called Arcimboldo 1526-1593: Nature and Fantasy. The paintings on display are primarily portraits. But instead of recognizable faces with traditional features, he composed his portrait heads of painted vegetables, fruits, flowers, fire, fowl, fish and frogs. His human beings are a rich composite of the natural world. Arcimboldo worked in Vienna as the court painter for the Holy Roman Emperor, first

The National Gallery of Art in Washington has acquired a fascinating portrait, "The Four Seasons in One Head," now on view with the Arcimboldo exhibition . The artist painted this composite of the seasons in 1590, while still in service to the emperor but after he had returned to Milan. He chose a naked, gnarled tree stump of winter for the man's head, but draped it in spring flowers for a necklace. Further up the head are branches holding summer wheat, then several branches that translate into horns. Cherries hang over the left ear, while apples and autumn grapes poke through the branches for his headdress. Curiously, this ugly creature smirks at us with crooked eyes in a 3/4 view. A closer look at this allegorical head shows that Arcimboldo peeled away the bark of one branch growing out of the head and signed his name on the exposed wood, perhaps indicating it is a self-portrait. The artist gave this painting to a friend. Experts have suggeste d that the painting ref