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Showing posts from March, 2012

Lost Drawings & Paintings Rediscovered

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Since 1993, Martin Schongauer's 10" x 13" drawing of Peonies has been in the Getty Museum, Los Angeles. Too fragile for permanent display, it may be in the Getty's exhibition of Renaissance Drawings from Germany and Switzerland, 1470-1600, March 27-June 17, 2012. A painting of peonies came up for auction in 1990 under the vague label of Northern Italian. However, a museum curator at the Albertina in Vienna recognized it as an important drawing from about 1472-73 by Martin Schongauer , an artist who lived in Alsace on the French-German border. The drawing, now in the Getty Museum, is a study for the flowers in Madonna of the Rosary , 1473, painted by Schongauer for a church in Colmar (now in France). Albrecht Durer traveled to Colmar to visit Schongauer in 1491, but the great Alsatian master had died by the time 21-year old Durer arrived. Martin's brothers met with him and gave him some of the master's drawings. This drawing may have been one of the drawings ow

French "Renaissance" Women of the Revolutionary and Romantic Eras

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National Museum for Women in the Arts in Washington, DC, is hosting a ground-breaking exhibition, From Royalists to Romantics : Woman artists from the Louvre, Versailles and other French National Collections . The exhibition celebrates the 25th anniversary of NMWA and will continue to be on view until July 29, 2012. It features 35 woman artists who worked between 1750 and 1850. The women who worked as artists in France at this time went through difficult times of the Revolution and its aftermath, the governments of Napoleon and Napoleon III and uncertainties in between. They reveal themselves as extraordinary talents, able to overcome so many odds. Many of those who painted and were the subject of portraits reveal themselves as the Renaissance woman of their days. The cover of the catalogue has an alluring portrait of Madame Juliette Récamier, by Eulalie Morin. Madame Récamier, by Eulalie Morin, late 18th century, is on the cover of the NM WA ground-breaking exhibition. Morin's Mm