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Henry Ossawa Tanner,   The Raising of Lazarus , Musee d'Orsay, Paris, 1896 Henry Ossawa Tanner, the most important African-American painter born in the 19th century, should probably be considered America's greatest religious painter, too.  He came into the world in when our country was on the brink of its Civil War, in Pittsburgh, 1859.  Though his paintings are profound, he normally doesn't get as much recognition as he deserves. Religious painting has never been a significant genre in the United States. Mainly, it has been used for book illustration and in churches with stained glass windows. Of course, Europe had its own rich tradition of paintings for Catholic Churches and even in the Protestant Netherlands, Rembrandt made paintings and prints of biblical subjects for their religious significance. Tanner reinvented religious painting with highly original interpretations.  His father was a minister in the AME Church who ultimately became the bishop of Philadelphia in 18

Abbot Handerson Thayer, Winged Figure , 1889, The Art Institute of Chicago It may be the dreamer in me who is so attracted to the winged paintings of Abbott Handerson Thayer.  The first of his paintings that I fell in love with was Winged Figure. above, at the Art Institute of Chicago.    I've always admired the loose simplicity of the Grecian style of clothes, even before studying Greek art. However, what appeals most to me is the sense of security and peace this figure has as she sleeps, protected and held by the curve of her wing. Her leg and golden garment are strong and sculptural, but it's not clear if she's on the ground or on a cloud. Abbott Handerson Thayer, Angel , 1887, Smithsonian American Art Museum Gift of John Gellatly             Mary, the artist's daughter, posed. After moving to Washington, I found that Thayer is represented well in the nation's capital.   Angel of 1887 is a very young figure, and Thayer's daughter Mary served as the model wh