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Showing posts from May, 2017

The Friendship of Paul Cézanne and Émile Zola

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"Cézanne et Moi."  L- Guillaume Canet as Emile Zola, R-Guillaume Gallienne as Cézanne The French film, "Cézanne and I" or "Cézanne et Moi," is excellent, but will be of most interest to those who know the story of Cézanne's lifelong friendship with Émile Zola. Guillaume Gallienne, an actor of the Comédie Francaise gives an outstanding performance which zeroes in on his character as well as possible. As Émile Zola, Guillaume Canet is also very believable. The film direction and production tells the story extremely well, but also captures the colors and aesthetics well enough to make the viewer feel to almost be there. A studio that Cezanne kept within the Bibemus Quarry Cézanne was the very first artist who really interested me--probably because of his colors.  The most influential 20th century artist, Picasso, said he owed everything to Cézanne.  Matisse claimed "he's kind of a god of painting." His popularity is similar to that of Van Go

An Object of Beauty

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Maxfield Parrish, Daybreak , 1922 An Object of Beauty , is a surprising novel by a man of many talents, Steve Martin.  Last year, in the Spring, I had seen a musical by him in New York and was then surprised to get this book as a Mother's Day present. Not only is it an original novel, but it shows that Steve Martin is a gifted interpreter of both art and the art world.  The novel exposes the mystique and glamor of the art world, together with its sleaze. To be honest, valuing art primarily for its monetary or investment value really offends me.  I briefly worked in the 80s at the art gallery considered one of Chicago's leading contemporary galleries at the time.  It was surprising to go from a show of DeKooning's latest works (painted with mayonnaise) to one of photographs of Racquel Welch (by an important photographer).  Although these exhibitions generated a ton of publicity, they actually sold very little -- just one DeKooning and none of the Racquel Welch photographs. (