paul

Paul Cézanne, The Large Bathers, 1898-1906, Philadelphia Museum of Art Cézanne worked on The Large Bathers , now owned by the Philadelphia Art Museum, during the last 8 years of his life.  He did about 200 paintings of bathers, and another one in the National Gallery of London is also called Large Bathers . Its French name, Les grandes baigneuses,  pays homages to the grandest of Cézanne's compositions of this subject, which may be his final statement of the theme as well.  To me it seems truest of an Arcadian dream, as witnessed in the Philadelphia Museum of Art's recent exhibition . The composition was clearly important to Cézanne in the search to find his truth. Through making art, he explored, subjectively, that which is true and everlasting in nature and in human existence.  In his early paintings he used heavy brushwork, but as time went on he thinned the paint and applied it tentatively, as if his vision was changing. Planes of various colors overlap, but ou...

One of the first 'pastoral ' paintings(not in the exhibition) was The Pastoral Concert, 1509, by Titian and/or  Giorgione, originator of  the pastoral, where landscape is on par with figures. Shepherds and musicians are frequent in this theme. Good things always end, including summer and a chance to see how the greatest modern artists painted themes of leisure as Arcadian Visions: Gauguin, Cezanne, Matisse , ends Labor Day. The exhibition highlights 3 large paintings:  Gauguin's frieze-like Where do We Come From?...,  1898, Cézanne's  Large Bathers , 1898-1905 and Matisse's  Bathers by a River , 1907-17. Each painting was crucial to the goals of the artists, and crucial to the transitioning from the art and life of the past into the 20th century. These  modernist visions actually are part of a much older theme descended from Greece and written about in Virgil's  Eclogues.  Nineteenth-century masters were very familiar with this tradition from...

Sam Gilliam, The Petition, 1990, mixed media Smithsonian American Art Museum's exhibition, African American Art: Harlem Renaissance, the Civil Rights Era and Beyond gives a broad overview of 43 artists whose work spanned 8 decades of the 20th century.  Over 40 photographs, as well as paintings, give a provocative picture of urban and rural life during the Depression, the age of segregation and the Civil Rights and later.  Although there is some overlap with other 20th century art movements, the exhibition is mainly art focused on African-Americans and their lives.  Both abstract and figural paintings are included, but also sculpture by Richard Hunt, Sam Gilliam, an important recent figure in the art scene of Washington, DC.   The artists come from the South and North, with a large number from urban areas of Detroit, New York, St. Louis, Baltimore and Washington, DC. Detroit artist Tony Gleaton recorded his travels to Nicaraguain in Family of the Sea, 1988, ...

Since going to the Miró exhibition recently, I've been reminded of Remedios Varo.  In 2000, I discovered this marvelous Surrealist in an exhibition devoted to her at Chicago's Mexican Fine Arts Museum. Called The Magic or Remedios Varo , the exhibition had been organized by Washington's National Museum of Women in the Arts and shown there. At the moment of this writing there is an exhibition at Mexico City's Museo de Arte Moderne de Mexico, entitled Remedios Varo: 50 Keys.   It includes 50 works of art and a single sculpture. Certainly Frida Kahlo is much better known, but I find Varo, who knew both Kahlo and Diego Rivera, more evocative and interesting as an artist. Varo also uses a female subject as her chief descriptive vehicle, but she is less self-absorbed than Kahlo and more concerned with the larger world. Varo was a Surrealist born in Spain in 1908, but exiled to Mexico after 1941. Like Gaudi , Miró and Dalí, she was Catalan, originally from Angles, near Girona...

Joan Miró, Nocturne , 1935, is a small oil on copper from the Cleveland Museum of Art.  A jumping man, crescent moon and spiral suggest the artist ability to leap above problems of life. "We Catalans believe you must always plant your feet firmly on the ground if you want to be able to jump into the air" In 1948, Joan Miró used these words to describe the Catalan mentality.  Like Salvador Dali and Antoni Gaudí , giants of modern art and architecture, Miro came from Catalonia, the area of Spain on the Mediterranean Sea near the French border.  Catalans had a language and cultural identify different from the rest of Spain. Washington's National Gallery, which hosts a Miro exhibition until August 12, completes the quote on a wall label:   "The that I came down to earth from time to time makes it possible for me to jump higher." Joan Miró: Ladders of Escape is the appropriate name for this exhibition which captures the flying spirit of this Surrealist artist.  From...

Much of our appreciation of Van Gogh can be traced to Helene Müller, whose acquisitions are the foundation of the Kröller-Müller Museum. This German-born heiress was wise in recognizing Van Gogh's genius and became the first major collector of his work. She and her Dutch husband, Anton Kröller, built a sensational collection and began showing parts of it to the public as early as 1913.  They lost their fortune in the economic downturn after World War I, but formed the Kröller-Müller Foundation to protect the art.  In 1935, they donated a house, land and a collection of 12,000 pieces to the Netherlands on the condition the country will build a place to display it. There were 90 paintings, 185 drawings by Van Gogh. S till Life with Four Sunflowers, 1887, has contrasts of blue and orange, yellow and red, a reason I find this painting in the Kröller-Müller Museum more interesting than Van Gogh's more famous yellow paintings of sunflowers in a vase. In a recent trip to the Netherla...

Since 1993, Martin Schongauer's 10" x 13" drawing of Peonies has been in the Getty Museum, Los Angeles. Too fragile for permanent display, it may be in the Getty's exhibition of Renaissance Drawings from Germany and Switzerland, 1470-1600, March 27-June 17, 2012. A painting of peonies came up for auction in 1990 under the vague label of Northern Italian. However, a museum curator at the Albertina in Vienna recognized it as an important drawing from about 1472-73 by Martin Schongauer , an artist who lived in Alsace on the French-German border. The drawing, now in the Getty Museum, is a study for the flowers in Madonna of the Rosary , 1473, painted by Schongauer for a church in Colmar (now in France). Albrecht Durer traveled to Colmar to visit Schongauer in 1491, but the great Alsatian master had died by the time 21-year old Durer arrived. Martin's brothers met with him and gave him some of the master's drawings. This drawing may have been one of the drawings ow...